Etymologia: Ex id deutsch Barockmusic, lexis prohpt in-kap ios XXt secule, per analogia con id barroc arto definiht ye id preceddent secule ab iom deutsch arthistorian Wölflin.
Definition: Id wehkwos Barroco music kweit id musicalstyle ios periode 1600-1750. Unios megil diversitat in wakto kam in rewos, tod movment hat deub marct id evolution ios occidental music.
Ia innovations os barroco music (end XVIt-XVII secules)[]
Ye id fin ios XVIt secule, occidental music subeiht profund ed posdaril changes : biht "tonal", yani seult-se ep un nov swonscal quod viduxiet do id moderne yoinkjiae. Tiel id fin ios Renaissance, music eet sayct "modal", keihnd ep variat modus, alya quem ia major ed minor modus, qua creer harmonias ed compositions baygh different ad klustres. Dar nundiens, nies gusta ed adets de music sont weur-ye conditiont ab id acustic systeme quod ies musicians saygen "barroco" progressive-ye enoversient.
Occidental music se yaschi melodiset : id superior voc biht primordial ed sehngver; id bass emt un rol os accompagnement. Prehpt accompagnet music. Kam id barroc art, musical compositions kladent-se med ornaments, etiandems. Bad, orkestral music ed ia lytil instrumental ensembles antslehnke, tem quem un pur music (aun voc ni textes).
Vivaldi, Bach, Handel[]
Barroco music gnaht in Italia circum 1600 samt, hois, id invention ios opera (Monteverdi signet sien Orfeo in 1607), ed ciois, id exspand os oratorio, equivalent ios opera in id iser xeimen, illustret ab Carissimi (1605-1674). Id end ios Italian XVIIt secule ed id inkapem ios XVIIIt sont id golden aiwo ios concerto, youbel om tonalitat ed melodia quer excellent Corelli (1653-1713), Torelli (1658-1709) ed hassa is Venezian Vivaldi (1678-1741).
Corelli - Concerto Grosso op.6 N°8 - 'Fatto per la notte di Natale'
Vivaldi - Complete Cello Concertos (Ofra Harnoy)
In Deutschland harben ab id Trigim Yaren Weir (1618-1648), id barroco musical exspand intizart tiel id end ios secule, bet gnoht mox un exceptional arg dank Johann Sebastian Bach (1685-1750), quos wehrg est essential-ye religieus (cantatas, oratorios, messes). Est id apogee os contrapoint, art os superpones egal vocs, eni id quader uns baygh protestant austeritat ed os un scriben rigor qua contraste con id fantasia iom Italian compositors. Samzaman-ye, alyo Deutsch, Handel (1685-1759), kamyapt un synthese inter id Germanic megil style ed id Italian gust.
Handel - "Messiah" The Choir of King's College, Cambridge.
In France, sub Louis XIV, opera biht, con Lully (1632-1687), un druv institution contribuend ia fests os Versailles. Franceois barroco music kweit med sien dikat ed sien preciositat. Influencet ab id Italian style, se prolonget unte preter dwidel ios XVIIIt secule con compositors kam Couperin (1668-1733), autor om iser pieces ed concertos, au Rameau (1683-1764), qui perpetuet id tradition iom grand operas ios prever secule (Les Indes galantes).
Jean Philippe Rameau Les Indes Galantes
Id inikas uns culturalios climat[]
Oiks hant contesten id qualificative barroco adyugen ei music tos tid. Albatta, trans analogias kam id gust os ornament, est difficil panges un rigoreus parallel inter id musical expression ed id esthetique quod triumpht tun in architecture ed in ia plastic arts : leit de artistic lurhats pior different pro bihe fauran comparable.
Lakin religieus music est kheptenn kwohrt kay bihe kant in ia sumptueus ed gwayder kyrks ios Contrareformation. Ia operas, samt ir fantasmagorias ed ir divtats descendend ex id empyr, kwehke animations om pinegs om Rubens au Pozzo. Bad, id music, in quo id hat mobil ed fugitive, est per se un druv illustration os barroc esthetique.
Barroco music sgwent eti con id barroco gust, in tod medium ios XVIIIt secule unte quod mehrnt in un tempos oiken yars Bach, Handel, dind Rameau, menxu emerge nov weidos ed sensibilitat : classicisme.